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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Canberra Close Up: Angus Trumble

Desert Island Discs

About Face article

I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Gordon Darling Hall, National Portrait Gallery

Architecture

Natural light and human proportions – the design by Johnson Pilton Walker

Video still from Dream Job, 2011 by David M Thomas

My dream job

Magazine article by David Thomas AM, 2012

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

JK Rowling, 2005

Why do painted portraits still matter?

Magazine article by Sandy Nairne, 2006

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Untitled #21/09 (after Ricci, 1700; featuring Matthew Mitcham)

Getting bare

Magazine article by Penelope Grist, 2015

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Simone Young

Conduct becoming

Magazine article by Penelope Grist, 2017

Penelope Grist speaks to Bill Henson and Simone Young to discover the origins of the artist’s stunning photographic triptych.

A Goldfields Member

Showing character

Magazine article by Joanna Gilmour, 2016

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Lowitja O'Donoghue

Anatomist's eye

Magazine article by Diana Warnes, 2016

Robert Hannaford has completed around 400 portraits over the span of his career.

Tracey

Sophisticated and glamorous

Magazine article by Amanda Rowell, 2015

Michael Riley’s early portraits by Amanda Rowell.

Ken Catchpole

Full time

Magazine article by Alistair McGhie, 2017

Alistair McGhie reminisces about three Australian rugby greats commissioned for the Portrait Gallery collection by Patrick Corrigan AM.

Brooke Lockett, Heidi Martin, Karen Nanasca, Halaina Hills; New York, 2012 Lisa Tomasetti

Dance like everyone’s watching

About Face article

Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.

Jaynie Anderson

Sitter still

Magazine article by Emeritus Professor Jaynie Anderson AM, 2015

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

Sam and the Perfect World, 2005

The news from Washington

Magazine article by Lauretta Morton, 2006

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency